- Bruce Grenville, Jennifer M. Volland, Stephanie Rebick
- 400+ full colour
- 170 x 236mm
Cabin Fever traces the course of the cabin in Canada and the United States—from the simple architecture of colonial settlements to contemporary interpretations feverishly circulated across the Internet—showing how this humble architectural form has been appropriated for its symbolic value and helped shape a larger cultural identity. The title is borrowed from the idiomatic expression for an anxious state of mind resulting from a prolonged stay in a remote or confined place. But it also plays upon the more consumer-driven definition of “fever:” a contagious, usually transient, fascination with an object of desire.
Building structures like the ones at home, living in exactly the same manner, must also have been a way to master their fear of the unknown, not to be overwhelmed by it, a way to make the unfamiliar seem familiar.
Karl Ove Knausgaard, "My Saga—Part 1" included in Cabin Fever
Acknowledging the pervasive influence of this typology, Cabin Fever offers a historical survey of the cabin in North America over the past three centuries. Heavily illustrated, it is composed of a selection of notable literature, excerpted texts and iconic images that chronicle the long history of writing and visual documentation of the cabin. The publication follows a tripartite structure—Shelter, Utopia and Porn—that maps the formal evolution of the cabin typology within a changing set of social and cultural desires. Additional content includes a typological narrative of twenty selected buildings that collectively trace the development of the cabin from rudimentary shelter to technologically sophisticated retreat and a survey of art that recognizes the cabin as a subject with enduring and complex connotations. Highlights of Cabin Fever include the work and writings of Edward Abbey, Margaret Atwood, James Benning, W.E.B. DuBois, Walker Evans, Karl Ove Knausgaard, Dorothea Lange, Michael Pollan, Rudolph Schindler, Julius Shulman, and Henry David Thoreau, among many others.
is Senior Curator at the Vancouver Art Gallery. His subjects range from architecture and design to new media, robotics, anime, manga, graphic novels, and video games. During his tenure at the VAG, Grenville has been responsible for curating or co-curating a range of exhibitions, including Cabin Fever, MashUp, Grand Hotel, KRAZY, Home and Away, The Uncanny, and Massive Change: The Future of Global Design. He has also organized numerous solo exhibitions by local, national, and international artists such as Stan Douglas, Janet Cardiff, Carol Sawyer, Michael Lin, Fiona Tan, Franz West, Wang Du, Gathie Falk, Dominique Blain, Arnaud Maggs, Christos Dikeakos, Ruth Cuthand, Mary Scop, and Jack Goldstein. He is the author of numerous exhibition catalogues, essays, feature articles, and review. Grenville holds a B.A. (Honours) and M.A. in Art History from Queen’s University at Kingston.
Jennifer M. Volland
is an independent curator and writer based in Southern California. Since 2014, she has been researching the life of ceramicist Edith Heath; in addition to her editorial role on Edith Heath: Philosophies, she served as the consulting producer on the award-winning documentary Heath Ceramics: The Making of a California Classic (KCET Artbound, 2019) and is the consulting curator on Edith Heath: A Life in Clay (Oakland Museum of California, 2020). Her past projects include Cabin Fever (Vancouver Art Gallery, 2018), Frank Bros.: The Store That Modernized Modern (University Art Museum at CSULB, 2017), and Grand Hotel: Redesigning Modern Life (Vancouver Art Gallery, 2013). She received her Master of Arts in Architecture from UCLA.
is Assistant Curator at the Vancouver Art Gallery, where she has worked since 2005. She graduated with an MA from Columbia University and holds an undergraduate degree from McGill University. Her curatorial interests include visual culture and new media with a focus on the work of emerging artists. While at the Vancouver Art Gallery she has assisted on a number of exhibitions including KRAZY! The Delirious World of Anime +Comics + Video Games + Art (2008), Enacting Abstraction (2009), Fiona Tan: Rise and Fall (2010), Visceral Bodies (2010), Unreal (2011), co-curated Grand Hotel: Redesigning Modern Life (2013) and Cabin Fever (2018) with Bruce Grenville and Jennifer M. Volland, and curated Out of Sight: New Acquisitions (2014). Outside of her work at the Vancouver Art Gallery she has curated a number of exhibitions including Culture Shock during the 2010 Olympic Games, and co-curated with Emmy Lee The Unreal and Reoccurrence: serial motifs at UNIT/PITT Projects.
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